從織染到繡藝，
伊裳以非遺工藝融入現代高定語言，
讓每一寸布料都蘊含時間的韻律與東方的優雅。
From weaving and dyeing to embroidery and artistry,
Isabelle.C transforms intangible heritage into modern couture —
where every fabric carries the rhythm of time and the grace of the East.
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Natural & Eco-friendly
天然環保
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Unique Texture & Sheen
質感獨特
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Timeless & Durable
耐久恆美
Chinese Brocades
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Chinese Kesi Craft
Kesi, also known as “carved silk,” is a weaving art with a history of over 2,000 years. Originating in ancient Egypt and introduced to China via the Silk Road, it remains the only textile craft in the world that cannot be replicated by machines. Since the Song and Yuan dynasties, Kesi has been famed as an imperial luxury exclusive to royalty, representing the pinnacle of Chinese silk artistry. During the Ming and Qing dynasties, Suzhou became the heart of Kesi production. Due to its labor-intensive, time-consuming process, Kesi has long been regarded as equal in value to gold — earning the titles “an inch of Kesi equals an inch of gold” and “the saint of weaving.” Its artistry is defined by three principles: continuous warp, broken weft; double-sided imagery; and creation from emptiness — the last of which distinguishes it from embroidery, which adds to existing fabric. In 2009, Kesi was inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity, marking its global recognition and rarity.
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Chinese Kesi Craft
Kesi, also known as “carved silk,” is a weaving art with a history of over 2,000 years. Originating in ancient Egypt and introduced to China via the Silk Road, it remains the only textile craft in the world that cannot be replicated by machines. Since the Song and Yuan dynasties, Kesi has been famed as an imperial luxury exclusive to royalty, representing the pinnacle of Chinese silk artistry. During the Ming and Qing dynasties, Suzhou became the heart of Kesi production. Due to its labor-intensive, time-consuming process, Kesi has long been regarded as equal in value to gold — earning the titles “an inch of Kesi equals an inch of gold” and “the saint of weaving.” Its artistry is defined by three principles: continuous warp, broken weft; double-sided imagery; and creation from emptiness — the last of which distinguishes it from embroidery, which adds to existing fabric. In 2009, Kesi was inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity, marking its global recognition and rarity.
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