2026年6月1-9日，伊裳ISABELLE.C香雲紗印染系列靈感源作《華光起奏》（In the First Light) 及《夜影餘聲》（In the Lone Starlight）受邀參加第61屆威尼斯雙年展（Biennale di Venezia）平行展單元（Mostra parallela），展覽於意大利威尼斯皮薩尼·雷維丁宮（Palazzo Pisani Revedin）圓滿落幕。兩件作品以跨越媒介的創意表達，展現了藝術創作的多元可能，也彰顯了品牌在國際藝術舞台上的持續探索與國際認可。
本次展覽由策展人塞缪尔·萨基斯·巴格达萨里安（Samuel Baghdassarian）與亞洲金風策展人Philip GOLD共同策劃，並特別邀請香港青苗藝術家陳泰辰（Isaac Chen）及陳芊羽（Isabelle Chen）參與創作呈現，形成獨具特色的跨世代藝術對話。
作為全球歷史最悠久、最具影響力的藝術盛會之一，威尼斯雙年展匯聚了來自不同文化背景的前沿藝術思想與創作實踐。在這一國際舞台上，中國原創藝術正以自信而開放的姿態參與全球文化對話，持續釋放創造力。
2026年6月1-9日，伊裳ISABELLE.C香雲紗印染系列靈感源作《華光起奏》（In the First Light) 及《夜影餘聲》（In the Lone Starlight）受邀參加第61屆威尼斯雙年展（Biennale di Venezia）平行展單元（Mostra parallela），展覽於意大利威尼斯皮薩尼·雷維丁宮（Palazzo Pisani Revedin）圓滿落幕。兩件作品以跨越媒介的創意表達，展現了藝術創作的多元可能，也彰顯了品牌在國際藝術舞台上的持續探索與國際認可。
本次展覽由策展人塞缪尔·萨基斯·巴格达萨里安（Samuel Baghdassarian）與亞洲金風策展人Philip GOLD共同策劃，並特別邀請香港青苗藝術家陳泰辰（Isaac Chen）及陳芊羽（Isabelle Chen）參與創作呈現，形成獨具特色的跨世代藝術對話。
作為全球歷史最悠久、最具影響力的藝術盛會之一，威尼斯雙年展匯聚了來自不同文化背景的前沿藝術思想與創作實踐。在這一國際舞台上，中國原創藝術正以自信而開放的姿態參與全球文化對話，持續釋放創造力。
Openning Ceremony
ART IS FASHION
从畫布到世界舞台
左： 《華光起奏》In the First Light — By Isabelle Chen右： 《夜影餘聲》In the Lone Starlight — By Isaac Chen
此次展出的兩件作品以抽象幾何構成為主要視覺語言，透過色塊、線條與留白的交錯，建構出富有節奏感與空間感的視覺秩序。在藍、金、橙、紫等多層次色彩間展開對話，既呈現東方美學中「留白」與「氣韻流動」的精神內核，也融合了當代藝術對結構、秩序與情感表達的探索。作品同時是伊裳ISABELLE.C非遺香雲紗印染系列的靈感源，將畫面中的色彩、線條與肌理轉化為布料上的藝術語言，為服飾創作提供獨特的設計元素。
畫面在理性與感性之間保持微妙平衡，於抽象形式中承載對時間、記憶與生命能量的思考，搭建起本土文化經驗與全球藝術語境之間的交流空間。
值得一提的是，《華光起奏》與《夜影餘聲》2幅作品及其所延伸創作的伊裳ISABELLE.C非遺香雲紗印染系列，近期正式進駐國家級新中式文化交流平台——北京國韻新中式文化會客廳，成為展示中國原創藝術與新中式美學創新成果的重要文化載體，進一步推動非遺香雲紗文化的當代表達與國際傳播。
以破曉破暗為核心意象，《華光起奏》呼應本屆威尼斯雙年展「小調」主題的情感內核。
作品採用柔和溫暖的色調，摒棄強烈色彩對比與繁複構圖，專注捕捉第一道晨光刺破暗夜的靜謐瞬間，描摹光影的溫柔漸變與清晨的細膩流轉。不刻意藝術誇張，還原晨光本真質感，恰似小調旋律般溫潤內斂；於幽暗之中傳遞暖意與希望，詮釋創作者對「光與暖」的真摯感悟，完美契合雙年展對細微、私密、真實情感表達的核心立意。
以《夜影餘聲》為核心意象，延續《小調》主題「內斂、沉靜」的內涵，與陳芊羽之《華光起奏》形成「晝夜呼應」。
作品採用低飽和柔和色調，描繪孤星高懸暗夜的靜谧景致，無多餘贅飾。聚焦寂靜深夜裡細微的情感波動，詮釋陳泰辰視角下的「孤獨與溫柔」；既傳達夜色的安寧淡然，亦隱含「縱是孤星，亦能綻放光芒」的內在力量，契合雙年展「回歸內心感受、捨棄宏大敘事」的創作主旨。
伊裳ISABELLE.C主理人熊家文展示以香港青苗藝術家原創畫作為靈感香雲紗印染作品
對伊裳ISABELLE.C而言，藝術從不局限於單一媒介，而是一種貫穿品牌體系的核心語言。對伊裳ISABELLE.C而言，藝術從不局限於單一媒介，而是一種貫穿品牌體系的核心語言。
品牌特意製作威尼斯雙年展限定明信片，獨具東方韻致，到場觀者無不鐘情收藏。
香港非遺時尚品牌伊裳 ISABELLE.C受邀於2026年5月30日，正式進駐國家級新中式文化交流平台——國韻新中式文化會客廳，於北京康有為故居同步呈現非遺與藝術融合之美。
ART IS FASHION。藝術不止於被欣賞，且能被穿戴；非遺不止於被保存，且能被延續。
Part I. 非遺工藝與當代藝術融合之美
立足香港的非遺時尚品牌——伊裳 ISABELLE.C，受邀進駐「國韻新中式文化會客廳」，於北京歷史文化地標康有為故居精彩亮相，以非遺工藝、當代藝術與時尚設計交融的獨特表達，向各界嘉賓展示東方美學的當代生命力。
作為推動中華優秀傳統文化創造性轉化與創新性發展的重要文化平台，國韻新中式文化會客廳匯聚政府、文化、商業及藝術等多方資源，致力於打造具有國際影響力的新中式文化交流空間。活動期間，北京市西城區相關領導、中海地產領導以及來自全國商業領域的重要嘉賓蒞臨現場參觀交流，共同見證中國新中式文化產業的創新發展與文化自信。
中國傳統文化促進會副會長、新中式文化工作委員會主任王曉琪（中）、新中式文化會客廳北京廳廳長江若棠（右），與伊裳ISABELLE.C主理人熊家文合影
北京市西城區相關領導、中海地產領導及全國商界代表蒞臨現場參訪
在康有為故居這座承載深厚歷史文化底蘊的空間中，伊裳 ISABELLE.C 以「ART IS FASHION」為核心理念，呈現一場融合非遺工藝、當代藝術與時尚美學的文化展覽，探索東方美學在當代語境下的創新表達。
品牌此次精選多件兼具文化價值與收藏價值的代表性作品亮相，包括香港青苗藝術家畫作印染香雲紗系列、手工緙絲孤品、老繡藏品、古董真絲孤品，以及新會胎柑手串等非遺工藝作品，吸引眾多領導嘉賓及文化界人士駐足交流與欣賞。
從融合青年藝術創作與香雲紗非遺技藝的藝術高定系列，到被譽為「織中聖品」的緙絲工藝；從承載歲月印記的老繡與古董真絲老緞，到凝聚東方生活智慧的新會胎柑手串，每一件作品皆展現著傳統文化在當代煥發的新生命力。
Part II. ART IS FASHION:：可穿戴的艺术
作為品牌理念的重要實踐，伊裳 ISABELLE.C 將香港青苗藝術家的畫作印染於擁有上千年歷史的香雲紗之上，透過高級訂製工藝，讓藝術從畫布延伸至衣袂之間。
我們相信，文化傳承不僅是保存過去，更是在創新中延續未來。當收藏級工藝遇見當代藝術，當非遺技藝融入時尚設計，藝術便有了新的生命，而文化也得以走進生活、持續生長。
手工非遺首飾（含緙絲真皮包、古董真絲老緞手拿包、宋錦飾品、香雲紗領帶）
新會胎柑手串取材於國家級非遺新會陳皮製作技藝，以歲月陳化的胎柑為媒，將時間的痕跡凝結於方寸之間。
草木有香，歲月成韻。經年陳化所孕育出的溫潤氣韻，承載著東方養生智慧與非遺工藝的文化記憶。這份來自中國的非遺之美，曾獲美國百年傳奇家族成員收藏與佩戴，在跨越文化與地域的共鳴中，展現東方美學歷久彌新的魅力。當它被佩戴於腕間，非遺不再只是靜態的收藏，而成為一種可感知、可陪伴、可融入生活的文化表達。
Part III. 在傳統與未來之間，書寫東方美學新篇章
康有為故居作為中國近代思想文化的重要歷史空間，承載著深厚的人文精神與時代記憶。此次於此呈現非遺工藝與當代藝術的融合成果，不僅是一場文化展覽，更是一場關於傳承、創新與未來的對話。
從香港出發，伊裳 ISABELLE.C 始終堅持以文化為根、以藝術為魂、以時尚為橋，連結中國傳統工藝、當代藝術與國際視野，探索東方美學的當代表達。品牌名稱「ISABELLE.C」源於主理人對女兒的一份深情寄託，亦承載著文化傳承的初心。品牌相信，非遺不僅是需要被保存的文化遺產，更是值得被感知、被穿戴、被延續的生活美學；唯有讓文化真正融入當代生活，傳承才能跨越時間，在未來持續生長。
第二批全球順德青年英才領袖、大灣區經貿協會「非物質文化遺產事務主席」、香港島婦女聯會名譽會長、伊裳ISABELLE.C品牌主理人熊家文在接受媒體採訪時表示：
「能夠受邀進駐國韻新中式文化會客廳，於康有為故居這座承載深厚歷史文脈的文化空間呈現品牌理念與作品，對伊裳 ISABELLE.C 而言，不僅是一份榮幸，更是一份文化傳承與創新表達的責任。
國韻新中式文化會客廳為中華優秀傳統文化的當代傳播搭建了重要平台。伊裳 ISABELLE.C 始終秉持『ART IS FASHION』的品牌理念，致力於讓藝術走出畫框、讓非遺融入生活，並以當代設計語言連結傳統與未來，向世界傳遞東方美學的時代價值。」
此次受邀進駐國韻新中式文化會客廳，是品牌發展歷程中的重要里程碑。這不僅代表著品牌在非遺時尚領域所獲得的高度認可，也標誌著伊裳 ISABELLE.C 在中國非遺創新傳承與國際傳播道路上邁出了重要一步。
未來，伊裳 ISABELLE.C 將繼續秉持「ART IS FASHION」的品牌理念，讓更多承載文化記憶與匠心精神的作品走進當代生活，走向更廣闊的國際舞台，向世界講述屬於東方的美學故事。
In April 2026, Hong Kong intangible cultural heritage fashion brand ISABELLE.C made its first appearance at the 6th China International Consumer Products Expo, held in Haikou, Hainan (hereinafter referred to as the “CDF”), and simultaneously took to the fashion stage of Hainan Youth International Fashion Week (Funteen Fashion Week), completing an important milestone in the brand’s development journey.
This was not only a fashion presentation, but also a practice in the deep integration of China’s intangible cultural heritage and contemporary design language, marking an important stage in which the brand officially began a new layout in the mainland market and expanded its local cultural influence. Prior to this, the brand had already appeared on international stages such as Hong Kong CENTRESTAGE, The Longines Hong Kong International Horse Show, and Thailand Fashion Week. This trip to Hainan continued to promote the brand’s in-depth presence in the mainland market and formed a development path with greater regional synergy.
The haute couture fabrics used in this runway show and exhibition represent a peak dialogue between traditional intangible cultural heritage and modern aesthetics. Among them, the Gambiered Canton silk print-dyeing series drew inspiration from award-winning works by Hong Kong young artists, using free brushstrokes and high-saturation contrasting colors to unleash pure artistic tension between the garments. There were also exquisitely crafted hand-painted qipao, in which the painter used a brush in place of a needle and improvised directly onto silk qipao. Each hand-painted qipao is a unique piece of craftsmanship. In addition, there were several unique kesi silk pieces revered as the “holy grail of weaving.” Every inch of fabric is an irreplaceable artistic medium, interpreting the rarity and nobility that belong solely to haute couture, while intangible cultural heritage craftsmanship shines with a distinctive artistic vitality in the contemporary era. This is not a simple borrowing of art by fashion, but art becoming fashion itself.
Art is Fashion.
ISABELLE.C has collectible-level craftsmanship as well as a quiet soul; it is not confined to grand halls or limited to exhibition displays. It inherits the millennia-old cultural lineage of intangible cultural heritage and blends in the spirit of contemporary art; it is substantial in its foundation, light in its texture, gentle and approachable, and composed for everyday life. It does not seek to be an artistic object for distant appreciation only, but is able to move through the myriad scenes of human life and the routines of daily existence, allowing every step and every turn to be elegantly worn.
Original Gambiered Canton silk print-dyed haute couture series by the brand
Bites of Hong Kong By Isabelle Chen
Graffiti By Isaac Chen
Flower of Hope By Isabelle Chen
A Tale of 9+2 Cities By Isabelle Chen
Spirits of Nature By Isaac Chen
In the First Light By Isabelle Chen(Left) / In the Lone Starlight By Isaac Chen(Right)
These two works by the Hong Kong young artists—In the First Light and In the Lone Starlight—are from the series Layers of Interwoven Realms. Together with their original print-dyed Gambiered Canton silk, they are about to cross mountains and seas and have been invited to the 61st Venice Biennale, the international temple of art.
Dual Show Collaboration, Building a New Space for the Brand’s Fashion Narrative
On April 12, ISABELLE.C presented its first runway show of this Hainan Youth International Fashion Week at the century-old arcades of Hainan. In a space where history and the present intersect, the brand redefined the contemporary expression of Eastern aesthetics through the fusion of intangible cultural heritage fabrics and modern tailoring.
On April 17, the brand brought its second fashion presentation to the coast of Ziza Bay, which was also the closing show of this Hainan Fashion Week. Against the backdrop of an endless coastline, it brought together natural atmosphere and a romantic intangible cultural heritage context, further expanding the boundaries of the brand’s visual storytelling and building a more distinctive style language.
Using top-level craftsmanship known as “one inch of kesi, one inch of gold,” the flowing galaxy of Starry Sky was woven into silk. The unique texture of handwoven kesi cannot be replicated; every strand of color and every line of stitching is the distinctive imprint of months of labor by artisans, making it a one-of-a-kind “flowing starry sky” in the world.
Chinese frog buttons and asymmetrical tailoring are intertwined, concealing Eastern elegance and artistic tension within the details, making it a collectible contemporary craft artwork. Entirely completed by artisans by hand, it requires time and care, serving as a dual tribute to craftsmanship and art, and as a heartfelt dialogue by “ISABELLE.C” between Eastern aesthetics and world art. This is not only a garment, but also a collectible contemporary artwork, bearing witness to the weight of craftsmanship and time.
Exhibition Setup
Beyond the runway, ISABELLE.C simultaneously built a “dual-space” exhibition system: one space in the main pavilion of the Hainan International Consumer Products Expo, where the brand’s intangible cultural heritage series and design language were presented through a systematic display; the other located inside the Hainan Qilou Old Street Intangible Cultural Heritage Museum, exhibited together with intangible cultural heritage Xinhui tangerine peel. Within the historical atmosphere of the ancient arcades, the warp and weft of intangible heritage fabrics echoed playfully with the time marks of tangerine peel, presenting in a three-dimensional way the diverse possibilities of intangible cultural heritage entering contemporary life.
Exhibition booth display
Media And Livestreams
During the CDF, ISABELLE.C also entered livestream rooms, bringing intangible cultural heritage fashion from the runway and exhibition hall into the public eye, making culture perceivable, discussable, and choosable. The brand insists on activating intangible cultural heritage craftsmanship through contemporary design, staying true to its original mission of inheritance and supporting young artists. Through original award-winning painted-dye creations on fabrics such as Gambiered Canton silk and red Yun silk, it interprets the perfect fusion of Eastern aesthetics and modern clothing. In the future, the brand will continue to present intangible cultural heritage in more diverse forms, allowing traditional craftsmanship to truly integrate into contemporary life.
Free Trade Port Opportunities
As a participating brand from Hong Kong, ISABELLE.C not only showcased its intangible cultural heritage series during the CDF, but also attended the Haikou Longhua District Global Fashion Consumption Industry Investment Promotion and Brand First-Store Signing Ceremony, where it signed a strategic cooperation agreement with the Longhua District Commerce Bureau, opening a new chapter in the brand’s layout.
Deputy Director Wu Xingkui of the Haikou Municipal Bureau of Commerce (back row, left), Deputy District Mayor Liu Xin of Longhua District, Haikou (back row, right), and Director Liu Mingwan of the Longhua District Commerce Bureau, Haikou (front row, third from right), attended and witnessed the signing ceremony.
ISABELLE.C founder Camille was interviewed by the media.
After the signing, the Longhua special investment salon themed “Using Fashion IP to Activate Consumer Industry Clusters” was successfully held, with department heads and corporate representatives from Longhua District in attendance. At present, the Hainan Free Trade Port is accelerating the construction of an international tourism consumption center, and Haikou, with the development goal of becoming a “city of fashion consumption vitality,” is actively cultivating the first-launch economy and gathering high-quality global resources.
Director Liu Mingwan of the Longhua District Commerce Bureau, Haikou, gave a sharing speech.
ISABELLE.C founder Camille (Middle)
Group photo of guests.
ISABELLE.C founder Camille (left) exchanged views with guests on the inheritance and innovation of Shunde intangible cultural heritage Gambiered Canton silk.
The Hainan Free Trade Port is accelerating the construction of an international tourism consumption center with global influence, dedicated to becoming a gathering place and showcase for high-quality global consumer resources. As the provincial capital, Haikou aims to become a “city of fashion consumption vitality,” advancing the first-launch economy and gathering high-quality consumer resources from around the world through first stores, first launches, and first exhibitions, gradually rising as an international consumption destination.
This strategic cooperation is an important milestone for the brand in expanding its horizon and building a global layout. Leveraging the gateway advantages of the Hainan Free Trade Port, the brand will continue to convey the beauty of Chinese intangible cultural heritage through design, integrate art and intangible heritage fashion, and ensure that Eastern culture is seen, understood, and cherished.
In the future, we will continue to deepen innovation and research in traditional craftsmanship, connect with international art resources and global fashion platforms, and continue to produce original New Chinese aesthetics; bring haute couture craftsmanship into everyday settings, transcend regional boundaries through cultural power, and step by step move onto the international stage, allowing Chinese intangible cultural heritage fashion to truly go global and take root worldwide.
